Eclectic Tech Carnival - Fully Booked! Please only come if you are already registered.

Smelling the inter-epidermis: mixing saliva is a sound performance. A SP-404 sampler is Bobby Brim's companion machine, into which they has transfused intimate archives, hijacked MAO (computer-assisted music) productions and their voice(s), which mutates throughout the set, like the characters in Joanna Russ's The Female-Man.
The strange character's performativity twists the codes of physical and sonic performance, and their strangeness creates an intimate, joyful, blurred and highly energetic situation shared with the audience, using and hacking the codes of electronic music concerts.

An overpitched/or transpitched SF voice ironically questions the audience (or itself): "Why don't you try to be more politic?", cut by a hyper-techno-structure-ultra-basic made up of the sounds of cis men's voices (acid internet sample) screaming with virility, or voices from another generation expressing their worries about futures. There's no time to lose: the situation can change very quickly, from passivity to dance, or from a certain form of politic to a mutation.
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