SHAKING THE ARCHIVE

SHAKING THE ARCHIVE

Mindy Seu

Mindy Seu is a designer and technologist based in New York City. Her expanded practice involves archival projects, techno-critical writing, performative lectures, design commissions, and close collaborations. Her latest writing surveys historical precursors of the metaverse and reveals the materiality of the internet. Mindy’s ongoing Cyberfeminism Index, which gathers three decades of online activism and net art, was commissioned by Rhizome and presented at the New Museum in its online form, and its print form is a recipient of a Graham Foundation Grant. She has lectured internationally at cultural institutions (Barbican Centre, New Museum), academic institutions (Columbia University, Central Saint Martins), and mainstream platforms (Pornhub, SSENSE, Google), among many others, and has been a resident at MacDowell, Sitterwerk Foundation, Pioneer Works, and Internet Archive. Mindy holds an M.Des. from Harvard’s Graduate School of Design and a B.A. in Design Media Arts from the University of California, Los Angeles. She is currently Assistant Professor at Rutgers Mason Gross School of the Arts and Critic at Yale School of Art.


Session

12-03
18:30
45min
Cyberfeminism Index
Mindy Seu

The history of the internet is often overfocused on the grandfathers who created its architecture and protocol. But the internet is more than a network of cables, servers, and computers—it is an environment that shapes and is shaped by its inhabitants and their use. In Cyberfeminism Index, a variety of hackers, scholars, artists, and activists consider how humans might reconstruct themselves by way of technology through more than 700 short entries of radical techno-critical activism. Both a vital introduction for laypeople and a robust resource guide for educators, Cyberfeminism Index—an anti-canon, of sorts—celebrates the multiplicity of practices that fall under this imperfect categorization and makes visible cyberfeminism’s long-ignored origins and its expansive legacy.

Session III: Activating Archives
Room 112