2025-06-27 –, Medallion A
This panel explores how boxing and entertainment were shaped across the African continent by racial identities and global currents related to race, empire, and Pan-African solidarities. Using the cases of legislation regarding race and the sport of boxing throughout the British Empire during the 19th and 20th centuries, the Zaire '74 concert (tied to the Muhammad Ali-George Foreman "Rumble in the Jungle" fight), and the failed attempts by a black South African promoter to bring Sonny Liston and Muhammad Ali to apartheid South Africa, this panel interrogates how African sport and leisure was shaped by its surroundings and how its surroundings were shaped by them.
Boxing, boxers, music, Muhammad Ali, Sonny Liston, James Brown, Miriam Makeba, Hugh Masekela, British Empire, South Africa, Zimbabwe, Democratic Republic of Congo
Inter-Imperial Racial Ideologies and the Quest for Pugilistic Dominance in the British Empire
Abstract for Additional Participant 1:Moments before Jack Johnson, the first black boxing heavyweight champion was scheduled to fight against Billy Wells, a British white boxer; then British Home Secretary Winston Churchill intervened to stop the fight, fearing the impact the fight would have on the “delicate race relations in the empire.” Throughout the 20th century, boxing had become widely popular among African men in ways which triggered colonial moral panics about the propriety of such a sport among a colonized male African population. In an effort to assert control and remove aspects of the sport that were deemed unsportsmanlike by the settler community, I highlight how colonial governments not only shared ideas on how to control the sport, but also collaborated to craft boxing legislation and enact regulations specifically designed to shore-up notions of white supremacy.
Title for Additional Participant 2:A Black Cultural Explosion: The Rumble in the Jungle, Zaire '74, and Pan-African Legacy
Abstract for Additional Participant 2:This paper examines, Zaire '74, the accompanying music festival 1974 "Rumble in the Jungle" heavyweight boxing match between Muhammad Ali and George Foreman. Set against the backdrop of post-colonial Africa and the global Black Power movement, this event served as a significant convergence of Black American and African cultural identities. By integrating performances from artists such as James Brown, Miriam Makeba, and B.B. King alongside Ali's global celebrity, Zaire '74 became a symbol of transatlantic solidarity.
Through archival analysis and cultural critique, the paper investigates the political motivations of Zairean dictator Mobutu Sese Seko for hosting the event. Additionally, it assesses how Don King's racialized marketing strategies framed the event as a reclamation of African heritage for the African diaspora. This study also contends that Zaire '74 represents an often-overlooked yet critical example of Pan-African artistic and political expression.
Punching Above His Weight: "Tiger Kid" Shaik's Failed Attempts at Bringing Sonny Liston and Muhammad Ali to apartheid South Africa
Abstract for Additional Participant 3:During the 1960s, Adam “Tiger Kid” Shaik, a black Capetonian boxing promoter, attempted to bring Sonny Liston and Muhammad Ali to apartheid South Africa. At the time, Shaik was the preeminent boxing promoter in Cape Town. Whereas many promoters struggle to churn a profit or regularly stage boxing promotions, Shaik universally succeed at both, despite being black promoter functioned under the apartheid regime (which lasted between 1948 and 1994). Although he was ultimately unable to land delivering Liston or Ali to Cape Town, the sheer fact that Shaik attempted to do so speaks volumes about his ambition.
This paper explores why Shaik believed he could land both fighters and why the apartheid regime and its allies worked against Shaik’s efforts. Relying on archival documents and newspaper accounts, this paper interrogates the significance of Shaik’s failed attempts of bringing these world heavyweight champions during the era of apartheid.
Garret McCorkle is the Manager of Education at the Muhammad Ali Center in Louisville, Kentucky. Before public history, he was a K-12 teacher and brings a perspective that centers on interpreting complex ideas for a broad audience. Recently honored as a Kentucky Colonel for his work as an Educator, Garret has led the push to create a digital learning hub for the Ali Center’s website. He also leads youth programs, K-12 outreach, and programs that seek to develop athletes into social changemakers in the spirit of Muhammad Ali.